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Printmaking

I've just finished my last day working in the Art Department. It's been a great final week. Busy and varied, as usual. I made sure that the materials cupboards and paper store were fully restocked and the that the accounts and paperwork were in 'hand-over' order, so towards the end of the week I had the time and opportunity to do some creative stuff - printing trials.
Later in the term the pupils will be exploring dry-point etching on Perspex. Early experiments weren't getting the desired results so I decided to have a go.
It's an effective printing technique and a lot less fuss than metal plate acid etching. With this type of printing an image is scored into the surface of a piece of Perspex (acrylic sheet) with a hard needle point. Ink is then smoothed or rolled on to the surface and the excess rubbed away. A piece of specialist printing paper is soaked in water (to loosen the fibres) then dried off between blotting paper. Then you are ready to print.
I spent a pleasant morning making two plates, then experimenting with different quantities of ink and types and dampness of paper. It was a real treat, since I have no room for printing equipment in my own studio, to have access to the school printing press and a range of fantastic materials.
Here is one of my prints.

Comments

  1. Great to see someone else use perspex. My suggestion put a metal grinder to get some deep cut surfaces, if H&S will allow it.

    Ochre Print studio is in Guildford and very good.

    http://www.ochreprintstudio.co.uk/

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